Sunday, July 2, 2023

Drenched in Van Gogh


A selfie before entering
After a long wait, the immersive Van Gogh exhibit (Beyond Van Gogh) came to Victoria. 

 https://www.beyondvangogh.com/

We had planned on this one for probably over a year, but when the day arrived, life meant that Steve couldn't make the event, so Stacy came along with Duncan and I.  

It is a travelling exhibit, and was set up in a tent like structure (reminded me of going to early Cirque de Soleil events when they had their own tent).  

Indeed, before entering, we were told that there were porta-potties outside to take care of our needs (ie. no toilets on the inside).  Armed with this knowledge, we made use of the outdoor facilities, and then headed in.

The first part of the exhibit was the 'educational' part: a series of panels with text, giving a bit of history, as well as snippets from the letters Vincent had written to his brother Theo over time. 

What I loved about these 'educational' panels was that that the words were printed/projected onto large fabric panels, each of which was a close-up of a different Van Gogh painting. 

The room was dimly lit, and the panels themselves were illuminated from the inside, which made the fabric panels feel quite luminous. 

Because the projections were also 'closeups', you could get really close, and get a sense of the actual paint work itself.   

If you were to see the originals in a museum context, it would still be hard to get this close to the paintings (here, you could have your nose right up against them), and reproductions in books can't seem to quite capture the feel of the paint.  

If you zoom in on the photos I took, you might see what I mean about the proximity made possible by this kind of zoomed in version of the paintings on fabric panels.  

The three of us certainly took our time at the beginning, discussing in part the word choices on some of the panels (such as "immense joy", "ear-cutting despair" and "melancholic martyr").   Yes... there may have been a line up behind us, but we were happy to let folks pass us by.

Duncan considering the adverbs and adjectives

And while there was a robust conversation about word choices in the curation of a life, there was also conversation about the ways the panels also pointed folks in the direction of colour-theory, and history.  

It was interesting talking about the kinds of information the show made available in this beginning section, both for people with lots of Van Gogh knowledge, and those with relatively little.  

One thing I thought was really interesting (and smart) was the way that the storytelling here was linked with the paintings themselves (or the style of the paintings).  I think this intro then better positions people to enjoy the second part of the event, the "immersive experience".

Thus, after the panels, one enters a very large open space, curating (and animating?) the paintings along with text and music, to create a kind of indoor moving canvas that washes over you.   


In this open space, you could sit, stand, wander, etc, and let the images pass you by.  

Here are some images and video snapshots capturing a bit of the flavour (and yes, the exhibit tells you to feel free to take photos or video... so that was nice)

We entered near what is probably 'the end' of the cycle, where you are in the middle of a cherry blossoms (almond blossoms?) painting.  

Below is a two-minute video of this part of the blossoms cycle (we stayed long enough to hit this segement twice!). It gives you a sense of how the exhibit keeps images moving around you. If you watch closely, you might get a sense of how the walls seem to 'breathe' (because they are fabric, and you are in an open space, the air does play a part in creating a slight bowing... kind of like the wind in a taut sail).



Some of the segments felt like we were wandering around in the full light of day (in one case with the tune "Here Comes the Sun" playing for us).  Other pieces drew us into evening under an undulating star-filled sky.


Here is 26 seconds of this starry swirl in motion (featuring an appearance by Duncan): 


I also quite liked how the immersion was not just in visuals, but also in text, and words from his letters scrawled themselves around the space.  


In one segment of work, the room is filled with small panels where Vincent's signature rolls itself out, time and time again (i wish i had thought to capture that piece, which was one of Duncan's favourite segments.) There is something that feels wierdly intimate in 'seeing' Vincent sign his name over and over.

I also loved the segment where dozens of the Van Gogh flower paintings (yes, including the Sunflowers, and Irises) were projected onto the walls, and then the flowers started spreading from panel to panel, and across the floor.  Here is a snapshot.



And here is a small video segment of the same, capturing the sense of movement.



The music was certainly an important part of the experience, creating a mood or atmosphere around the paintings.   Here is another small clip as an example.  What is interesting to me in this segment is the way lines of paint seemed to emerge out of the bottom of the images and across the floor, in ways that kind of echoed piano strings, being lit up (or plucked) as the music seemed also to be playing out across the floor. 




And of course, there is a segment where you find yourself down by the water at night.  I love the jazzy sound of this segment.



I really loved sitting in the space with the sounds and images.   This is definitely an exhibit I would go see again.  

Sunday, April 30, 2023

Rare Books and Stewardship Agreements in Toronto - 28 April 2023


the poster for the symposium
This week I made a mini whirlwind trip to Toronto (fly out Thursday, fly home Saturday) for a symposium called "Collections: Conflict & Collaboration". The timing was not great for me (in the middle of marking final exams), but the invitation to participate had come for the University of Toronto libraries folks (Loryl MacDonald, Grant Hurley and David Fernandez). 

There are two things to say about that.  First, libraries!?  Libraries people are the best!  Arta and Kelvin (aka 'mom and dad') pretty much raised the 8 of us kids inside the Calgary Public Libraries, and Arta spent her second career working at the U of Calgary library. So what else was there to say? An invitation from anyone in Libraries is the biggest honour ever. It didn't matter that the event was right in the middle of exam marking, and that time would be compressed.  Of course I would want to go!  

Carey, Heather and me, AND the library!
Second, one topic for conversation was the Witness Blanket!  If you haven't encountered the Witness Blanket before, follow the link above to get started.  In particular, the symposium would let us spend time with the Witness Blanket Stewardship Agreement.  
This is a ground-breaking example of collaborations across legal orders, and we teach about it at UVic Law every year.  
Carey Newman (the Artist) and Heather Bidzinski (who was a crucial player in bringing the agreement into existence) had also been invited to speak. What?!   OK.  This was an opportunity NOT to be passed up!  The last time I saw Heather in person was during the actual Ceremony for the Witness Blanket in Kumugwe, the Ko'mox First Nation Bighouse. 

That ceremony was one of the most powerful moments of my life in law.  Amongst other things,  my mother Arta came with us to the ceremony, which made it even more meaningful (and conversations about the experience were part of the fabric of our family life in the years that followed).  Indeed, Arta wrote 4 different posts about the experience of being present at the ceremony on the "Larch Haven" family blog.  Each of those posts is a beautiful read, and opens up space for thinking about how the Blanket and the Agreement matter not only to signatories, but to all of us (plus, now that she is no longer with us, I love going to spend some time with her voice!)  Check them out:



Here is where the symposium took place
I have to start with acknowledging the space of the library itself.  The Thomas Fisher Rare Book Library at U of T is just something  special.  Having not been there before, I wasn't quite sure what to expect. I did arrive a bit early that morning.  OK.  Maybe "quite early" is more accurate.  I had been a bit uncertain I would find the place.  As I stood outside on the stairs outside the building looking up, the wonderful David Fernandez arrived, and seemed to recognize me from the promo photo.  He was the possessor of the sacred keys to the building (because I really was TOO early), and brought me into the library, and the space we would be meeting in.  And this is the view, 
taken from the 'back row' of the room (set up to accommodate a group of 20-25 people).  What?!  I was speechless.

What a place to sit and read an old book...
Loryl McDonald, the Director of the Thomas Fisher Rare Book Library, then took me up to the stacks, so I could see the view not only from below, but also from above, standing at her favourite vantage point (after first checking to see that I didn't have vertigo).

400 year old mini books
Loryl also walked me past this little shelf, that is full of 'miniature books':  each of these stands something like 4-6 inches (is that 10-15cm?).   You can't tell from the photo that they are so short, since the book shelves here are also shorter to accommodate the smaller books.  What you CAN see if you zoom in are the publication dates: between the 1500s, and the 1700s.   These books are older than  Confederation!  I was dying to pull them off the shelf to flip through, but, not knowing the protocol, I resisted!  :-).   But I still absolutely loved standing beside the books, thinking about the past, and enjoying that very distinctive 'old book smell'! 

Loryl sending greetings to Susan!
Of course, as we started talking about archivists, we found connections including my wonderful friend Susan Hart, who has been part of our life in Victoria 'forever' (since Duncan and her son Peter have grown up together, meeting first in daycare when Duncan was 6 months old)!  It was fun making the selfie to send to Susan!  

Truly, the view and space are quite spectacular.  Being in the space, being surrounded by so many old books.... a bit like being in a room with the memory traces of so many ancestors from so many places and times.... a reaching out from the past into the present, aiming towards the future.  


Heather and Loryl enjoying the view

I did take a little bit of video footage, to see if that would capture the flavour of the feeling.  (here is the URL to the video


I am aware that this is summary less of substance than of form, but both were wrapped up together pretty tightly.   

What a treat to be in a space with Carey and Heather, and to have them share with us their stories of both the Witness Blanket itself, but also of the three years of work to build the relationships and understandings that resulted in the Stewardship Agreement between Carey and the Canadian Museum for Human Rights.  It is a fantastic model of different ways of collaborating on questions of memory, truth, shared futures and more.

I love the layers in these photos.  I enjoyed thinking about this picture, which captures Carey and Heather sitting at the front of the room in this amazing library in Toronto in 2023.  In the background is a video image capturing Carey and Heather signing the Stewardship Agreement in the Big House in Comox during ceremony in 2018, the fire burning in the background behind them.  I also like it that I caught a fragment of the  ILRU Indigenous Law 101 handout  in the lower left hand corner, pointing in the direction of future possibilities.  A reminder of the layers and time, memory and hope that surround us, reminders of the power of looking to past and present as we continue to collaborate in the making of shared futures. 

Christina, Grant, Desiree, Ben and me  
There is so much more to be said about what a feast for the mind it was to spend the day with those amazing libraries-archives-museums-collections people.  I learned much listening to Christina MacDonald, Désirée Rochat and Desmond Wong (with Ben Walsh facilitating). So many great questions about how the work of collecting might be done (and undone, and redone, and done differently). These are folks whose research work opened up the very best kind of questions.

What a day!













Monday, March 6, 2023

Watercolour lessons (on Duncan's 22nd Birthday)

One of my happy times during the hard times when Arta was sick (back in 2021) was having Wyona give watercolour lessons to Bonnie, Duncan and me.  When we would ask her for more help, she would just say, "Go online!  you can find so many lessons there!"   Fine.   But what I wanted was Wyona as my personal tutor.  Damn her, for having her own life and her own obligations that come ahead of my needs!  :-).   So, I finally did just give up, and sign up for some online lessons (Scott Swinton, if anyone is wondering).   And Wyona was right.  I am loving the online lessons.  

Today was Duncan's 22nd birthday.   The two of us set ourselves up at the table to do art:  him working on Warhammer figurines, me working on watercolour.

The kitchen table transformed to art studio for two!

Today's lesson was a simple landscape using only two colours (cobalt blue; and a mix of cobablt blue and red).   Because I am a sucker for process, here is the painting at each step of the process (that is, how got from bare paper, to a painting I am happy with).

First, tape down and thoroughly wet the paper, and then add some sweeps of both colours for the sky.  Use a tissue to swipe through the paint before to give the effect of rain falling.  Dry.



Then, lightly sketch in the line of a mountain, and fill it in the with blue/red mix (and lots of water).  Dry.


Mark off a horizon line (with tape) to create the space of a lake, and use a damp brush to lift off pigment to create the feeling of waves and reflections on the water.   Dry.



Using a fan brush, create a swoop across the lower corner, to create the sense of a grassy foreground.  Again, use a tissue to swipe off some of the paint to create a sense of light breaking across the grasses.   Dry.
 


And then.... working slowly and carefully, remove the tape (without ripping the paper).  Ta da!




And since I still had paintbrushes full of pigment, I followed the instructor's advice to just try another copy!  Here it is!



What is so interesting about the process is that I can totally see all the places where it is not quite what I wanted, but I am also starting to see why it is not what I wanted.  Or rather, I am starting to better see what people say when they tell you to pay attention to the 'water' in the water colour.  hahah.  Such an interesting lesson in learning where you can keep working, and where you need to stop.  And I do love the 'transient' nature of it (water and paper... not as serious as canvas and oil/acryllic).  It seems somehow less demanding, and more .... I don't know.... inviting?  

Just so I can keep track of the process, here are the other pieces I completed today.  This one was a "10 stroke painting".  The goal was to do an entire piece using only 10 brushstrokes!   I put this lesson off for a long time (I kept watching the video, but it made me nervous to try).  Finally, reminding myself that it was an 'exercise', I just went for it. Six sweeps of cobablt blue; 3 of cobalt blue/red blend; 1 of yellow ocher.   All on wet paper.  And then, once done, I couldn't figure out what had made me so nervous.  I really loved just letting the sweep of brush and pigment do what it was going to do.  :-)


Two weeks ago, the module ended with a little landscape to apply the techniques we had been practicing (of graded washes).   I set myself up to do four of them instead of just one (why not... more chances to practice!)

After it was finished, I cut them up into small pieces that i can use as postcards (helping me to feel more relaxed about mistakes and imperfections... the pieces can just carry other messages off into the universe!)



This week, I tried the lesson again, but seeing if i could change the sky from a blue one to one with more purple tones.  Here was the result:


When I compare the first to the second set, I can see why the instructor had us working with the more restricted colours (the first version is more 'coherent' in some way).  Still, it was fun branching out and trying something different (in part so I can practice, and start 'seeing' how and why i might pick out different colours, or use less water, or take more time, or move more quickly).   And fun to do that with pigment and water on paper, rather than words on paper!   I love the moment when the tape comes off, and the pieces are cut apart.   

Possibly coming soon to a mailbox near you?

And thus, my report on Duncan's 22nd birthday!  Happy birthday to Duncan!   And happy birthing day to me!  Because lets be honest..... given that I am the one who did all the hard work on his day of birthing, it has always seemed to me that really his birthday should be a celebration of me, no? [Steve reminds me that the birthing day was a bit of a workout for him too.  That made me smile.   It is true... after 'procastinating' for an unbearable number of hours, Duncan came rushing into the world so fast, and Steve's hands were just waiting there to catch him!  Duncan says 'Nothing has changed!  Still the same mixture of procrastination followed by a panicked racing forward']








Friday, February 24, 2023

On NOT making it to Williams Lake

The plan during reading week was for the ILRU team to take a trip up to William's Lake (Esketemc, to be precise) to finish off the validation for the next report.   I headed out early to the airport, hoping that there would be enough light by the time we took to the air to get some good photos out the window.   Cloud cover was thick, so i was not totally hopeful.  And then i miscalculated in my seat selection, so ended up with a good slice of the wing in my view.  Ah well. 

early dawn at the Victoria airport

If I tried pointing the camera behind me, I could at least catch a few shots of all the amazing islands between Victoria and Vancouver, through little breaks in the cloud.

overcast, but still magical

Here is a 30 second video, taken a few minutes into the flight: https://youtu.be/5sRyWLszdaA


The break in the clouds filled back in once we got to Vancouver (where we waited for the next plane).  Again,  I  did not get a window with a clear view.  Still, I was hoping for some great photos over the mountains, but the rain did reduce visibility.  It looked pretty much like this:


Well.... given the limited visibility depriving me of the view I sought, I decided to try instead enjoying the view I had.   So..... close ups of the rain drops?   They did have their own beauty (and strange capacity to reflect and invert. 
 

Unfortunately, the view didn't really improve once the flight got off the ground.  Indeed, the pilot warned us that we were flying into a bit of a blizzard, and we might or might not actually be able to land in William's Lake.  Crossed fingers?   Too many clouds.  The moutains were completely invisble.  At least the little raindrops did transform themselves, giving me yet another view out (of?)  the window:


As we feared, the visibility sucked.   We circled around for a bit while the pilots tried to figure out if they could spot the runway but.... they couldn't.   And so, they flew us back to Vancouver. 

After some back and forth with some of Jess's contacts in William's Lake about the weather situation, we decided to just call it a day, reschedule for better weather, and head back home.   Still cloudy and rainy, but....no snow!  And that view between the mainland and Vancouver Island just never never disappoints.   Felt sad to not have arrived at Esketemc, but seemed better to be safe than sorry.   

Maybe not the most productive day but.... even on a misty cloudy day, it is still a world full of beauty.





And here is the last minute or so of the flight, over the water and onto the landing strip in Victoria.   I don't ever quite get over it [pardon the pun... of course I am "over" it, but i am sure you get my point! :-)]  As Lou Reed says, "a perfect day".  https://youtu.be/bWqr4JbrH9o








Saturday, February 4, 2023

All's well that ends well - my weekend at the hospital

Three and a half small incisions, one stitch, and 6 bandaids. 
 
Thirty-six hours later, and that is what I came away from the hospital with.

Pretty good, I say!

I also came home with gratitude in my heart for our amazing public health care system.  Yes, I know it is not perfect, but it is pretty damn amazing.  

I walked into emergency at 7am on Friday with really bad cramps, a terrible backache, and a distended belly.  I would have expected all those things if I were 9 months pregnant, but I am, afterall, a post-menopausal 59 year old woman.  I know that in Property Law we teach about the Rule Against Perpetuities using the hypothical example of "the pregnant octegenarian", but... not the case.  So, I had Steve drop me off at emerg.  I was quickly into triage, where my blood pressure was registering at 182/115, so i got a lovely little red bracelet, and then was off for an ECG,  some blood work, Dr assessment, and CT scan.  While waiting for the CT results, the fabulous nursing staff hooked me up with an IV, a pole with a bag of fluids, and shot me up with a mililitre of some delicious hydromorphone to take the edge off the pain. 
 
I will confess that it was a tough day hanging out there, since my mind kept flashing back to 2 years ago, and taking my mom Arta over to emergency because she had a sore back, a stomache ache and a distended belly.  So, yes, pancreatic cancer was on my mind while sitting in the very very crowded ambulatory area, remembering all the different chairs I had occupied there with Arta during the last 3 months she lived with us (including a very strong memory of sitting in ambulatory, and her asking me for a pen, and then her using it to take notes on one of those disposal paper vomit bowls they hand out.) [indeed, below is a video I made of her taking those very notes back in 2021]   
https://youtu.be/GikRpCFrSyI


And so, when the Dr. came back out, sat beside me, put her hand on my shoulder, came in close to my face and started talking, I was prepared for the worst.  When she said that the blood work came back totally boring, but that CT scan showed a bowel obstruction, I nearly started cheering!  Yea!  Only a bowel obstruction!  

Yah, yah.  I understand that it is technically a 'medical emergency', but it is NOT pancreatic cancer.  She told me that they would need to address it right away, so that she was off to make some calls, and to see about getting me admitted for surgery.  She also told me before she left that the first thing they would likely do was a nasogastric tube up my nose, to release pressure in my belly.  She said that it was a bit of an uncomfortable procedure, but that she would be looking around to find a room to do it in (they were past capacity in ER, so were having difficulty finding open spaces).  And off she went, leaving me there hooked up to my IV pole, with my drip.  Uh,......nasogastric tube, eh?  Heavy sigh.  I signalled the nurse over to fix me up with another mililitre of the good stuff.
This kid looks way too happy

So, I was a little bit less happy.  An uncomfortable procedure?!  Well, THAT is an understatement.  I sat beside Arta in a room down the hall back back in 2021 while she got a nasogastric tube shoved up her nose.  I would put it a bit higher than uncomfortable (Arta later said it was worse that either the cancer OR childbirth...even worse than "bees!").  I nearly passed out watching it (they had to bring a chair and have me drop my head below my knee level).  I also suspected that they were having a challenge finding a room, because the procedure would definately be followed by the announcement saying "Housekeeping, clean up in Ambulatory".  I found a picture of one of these nastograstic tubes out on the web for those who don't know what one looks like.  I PROMISE you that Arta did not look as happy as the kid in this artistic rendering would suggest.

(random internet photo: excuse the expletive in the message)
I think there is a bit more 'truth in advertising' in a different image that I found out on a web search for 'nasogastric tube'.  I think this guy's sign says it all.  I was not really looking forward to this option.  But what are you going to do?  

At this point, my name got called again, and I was directed to another side room, where I 'thought' i would be getting the "nose-prong" but it was instead a visit from the four person surgical team.  They said they would get me up into surgery that evening, and talked me through the 'consent-ish' kind of stuff, telling me that there was a blockage, and they would do laproscopic surgery to get in there:  three small incisions, and one other little hole.  They would fill my belly up with air, get in there with a camera and laser and cut out any icky stuff.  

Dr Malik said they wouldn't know the cause of the blockage until they got in there.  They could tell there were some 'adhesions' (i didn't look that up til getting home.... just consider yourself lucky that i am not attaching pictures to this blogpost).  He said they would expect to see those if I had prior surgeries but...I have not yet had that experience.  He did not know yet why they were there, and wouldn't know until they got a look inside.  In typical surgeon style, he listed off a bunch of possibilities, like some unexpected growth, or ruptured bits of colon or something like that, and if there was, then they would cut that out and set me put back together while they were in there.  At least, in my contented hydromorphinated state, that is what I recall.  Off they went,  and I was again invited to return to ambulatory to wait (lots of apologies from the nurses, who reiterated that they were at full capacity).  I was just happy that the room situation was apparently still too tight for them to set up the nose tube thing.

Hanging out with Arta and sibs in 2021
Catherine gave me a call from Montreal at this point, and talked me through possibilities.  It is handy having a sister who is doctor.  She said that I should take advantage of how busy it was, and suggest to the doctors that they wait to do the nose tube until I was already under anaethetic.  And so... that is exactly what I did.  :-). By 4pm, they had me found me a room over in the beautiful Patient Care Tower, one floor down and three rooms over from the Palliative Care ward where Richard, Mary and I spent a month taking shifts sleeping on the couch bed beside Arta.  

back in the tower in 2023
I couldn't resist taking one quick selfie after changing into the lovely hospital gown.  

No, I am not 'making a face' here.  I am using the Cree method of pointing with my lips.   I am pointing at that red lidded cup behind me, since it is the cup I would be attached to if they hooked up the nasogastric tube!   

And below, there is a comparator photo with Arta (AFTER the tube was finally out, but you can see the red cup in the background).  

Arta, happy now that the tube is OUT.
When the nurses came back, with the nasogastric tube packages in hand, I told them that I really was feeling quite good, and I hadn't vomitted since the night before, and had no nausea at all!   Following Cath's suggestions, I asked if they could just have the doctor put that in when I was already knocked out for the anaethetic.   They talked a bit back and forth, and agreed that it had been more than 12 hours since i last threw up, so said they would just write that up on the chart.


I got to rest for another hour while waiting (signing all the expected consent forms on both the surgery, and consent to blood products if needed).  They asked me what I like to be called, so they wrote that down, but did add "Rebeca" (sp?) for precision.  I guess "she-who-must-be-obeyed" takes too long to say?  I dozed for a bit, and then was wisked off to pre-op for another conversation with the Anaesthetic dr person.  

It turned out (as is often the case) that the Anaesthesiologist Dr. (Alexander?) had a sister who also graduated from UVic Law (Caroline Alexander?)  It made me laugh (does every family need to have one doctor and one lawyer at the ready?). Anyways, we talked briefly about my decision to avoid the nose tube, and he agreed they could skip it and go straight to a tube down the throat.  He told me they would put me under faster than usual (to avoid the aspirating vomit thing).  All good.  Just more initials on the the consent forms, and it was off to lala land.  

Another photo from my hospital room window
And before I knew it, I was surfacing in post-op, which seemed quite the party place. :-). I loved hearing all the sounds of happy conversation with the surgical team and nurses while cycling in and out of consciousness (coming from a big family, I feel happiest when there is lots of background noise).  Dr. Malik stopped by to tell me that they surgery was successful, that they had cut out the adhesions, but didn't have to do anything else, since there was nothing else in there of interest.  He was able to leave my intestines alone.  He shrugged said something like "I get one like you every year." 

Not quite sure what that meant, but I understood it was a good outcome.  My blood pressure was also back at a perfectly respectable 120/80 (which they kept checking what felt like every 10 minutes or so).  I hung out there for several hours, drifing in and out. I recall hearing scattered bits of conversation from the post-op nurses indicating that the nurses back at the tower were swamped, so they were helping out by just keeping me in post-op a bit longer? Sometime just before 10pm, they woke me up for the move, telling me that Steve had been waiting downstairs since 6pm, and had finally headed back home once visiting hours had ended in any event.  Poor him!  (I think i said something like "why was he so stupid!?", but I really meant, "Ah... that sucks!  I wish he had been comfortably just waiting at home").  Well... I am sure Arta was on his mind too.  A bit of a stressful day for us both, altogether, but it ended well. 

Finally, back to my lovely little private room by 10pm, the lights of the city twinkling in the darkness, for a night of sleepy delicious painfree rest.  I never knew a bed to be so comfortable (or was that the anaesthesia talking?).  I had been hoping for some more yummy hydromorphone when I woke up at 1am, but.... some things don't last.  The nurse told me the doctor had already taken me off that and moved me down a level to tramacet.   Bummer.  But OK.   I could live with that.   I was, to be honest, so surprised by how much less my belly hurt.  

Indeed, the main thing that was surfacing was a brutal headache.  By 4am, it was really top of my mind (excuse the pun).  I raised it with Jordan (my nurse for the night). I told her I was beginning to wonder if I had a brain tumour.  And then the penny dropped, and I realized that I had been a couple of days without coffee.   She told me there would be coffee with breakfast at 8am.  I told her I could not wait that long.  She said they only had instant.  I told her I would be happy to just eat the powder with a spoon.  She thought it would be better if she mixed it with water, but warned me that she could not guarantee it would be tasty.  We both agreed that we could consider this as a request for meds (rather than me asking a highly trained nursing professional to bring me a cup of coffee). She came back with the wateriest cup of coffee ever.  I couldn't have cared less.   It was medicine to address my withdrawal symptoms, and it did in fact do the trick!
yummy cream of wheat with brown sugar!

Breakfast was "fluid forward" or something like that.  The goal was to see if I could tolerate eating without hurling.  Now, for some people, Cream of Wheat for breakfast may be the trigger for nausea.  But not me!   That is my very favourite porridge in the world!  I considered asking for seconds, but I was actually a bit full and a bit tired.   So... more resting.  

And truly, the room itself was so restorative.  It was just offering me beautiful views out the window.   I did not have my groovy camera with me, but did have my phone, and I could get a number of pictures without having to turn or roll.   And so I enjoyed watching the amazing clouds moving across the sky, and over the mountains across the sea.  Here are some photos from my "bowel obstruction hospital window series."

I liked how the blue grey pallete of sky echos my pillow in the photo above

The construction on the right is on the building beside my family doctor!  fun seeing that out the window.


wondering if i can get more wyona lessons on doing cloudy skies in watercolour...

Taking pictures out the window, I was very aware that it is cold and snowy right now in other parts of Canada.   The app on my phone said it was something like 8 degrees here today.  Snow drops are up, and some of the trees have blossoms.  With this view out the window (and the tremacet still flowing in my veins) I was feeling content with life.  

Dr. Malik stopped by soon after, to see what I could recall of our conversation last night, and to see if I wanted the non-drugged version.  I did.   I asked him why he told me he gets one like me every year (since i was not sure what that meant).  He told me that he does lots of these bowel obstructions surgeries.  Probably 20 a year over the last 10 years.   He says he can usually identify the source of the obstruction.  But he says that each year he gets maybe one person where he just can't say why.  He said that he had probably had two cases like mine, where he really had no idea.  He told me that there were adhesions, and that most of them tore loose when they pumped my belly full of air, and then he just went in and cut out the rest.  But he is not sure why they were there in the first place.  He didn't see anything else in my belly that was the least bit interesting to him.  In fact, everything seemed to be fine.  I told him I was delighted to hear that he found my intestines to be particularly boring! He wondered if maybe I had had a bout of appendicitis at some point without it rupturing, which perhaps produced the adhesions.   I don't recall such a thing, so...   who knows?!  But the long and short of it is that this was caught early, while it was still a partial obstruction, and not a full one, and they blasted those sticky bits out of my guts and I already feel better.  I am supposed to take it easy for a couple of weeks, and that is it.   No need for me to stay in the hospital, so he told me I could stay for lunch, and then gave me the green light to rest up at home in my own comfy bed.

Steve arrived shortly after, so we debriefed while I ate lunch (and kept telling him to move his head to side so I could capture another beautiful view out the window).

I love seeing the rain falling on the other side of the water!  Here's to life in a rain shadow!

Maybe these white clouds did remind me a bit of intestines...

This one little cloud seemed to be gathering in the sunshine

Cloudy skies on one side, and the sun breaking through on the other.  A metaphor for life.

And so, three and a half small incisions, one stitch, and 6 bandaids: one bandaid at my elbow from the blood work, two bandaids for the different IV's that got poked into each of my arms, and three big bandaids covering the incisions from the laproscopy.  Three incisions (held together with surgical tape), and one little stitch (also hiding under one of the big bandaids on my belly).

Into the hospital on Friday, and home again on Saturday.  and no 'bill' to follow.  Here's to public health care.  Here's to our tax dollars at work.  Neither Steve nor I have any complaints!